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Viroli, Maurizio: From Politics to Reason of State
165,79 € *
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Erscheinungsdatum: 16.04.2005, Medium: Buch, Einband: Gebunden, Titel: From Politics to Reason of State, Titelzusatz: The Acquisition and Transformation of the Language of Politics 1250 1600, Autor: Viroli, Maurizio, Redaktion: Daston, Lorraine // Skinner, Quentin, Verlag: Cambridge University Press, Sprache: Englisch, Schlagworte: POLITICAL SCIENCE // History & Theory, Rubrik: Politikwissenschaft, Seiten: 344, Informationen: HC gerader Rücken kaschiert, Gewicht: 682 gr, Verkäufer: averdo

Anbieter: averdo
Stand: 09.08.2020
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Religion
28,90 CHF *
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What should we make of the return to the sacred evidenced by the new vitality of churches, sects, and religious beliefs in many parts of the world today? What are the boundaries between the essential traits of religion and those of ethics and justice? Is there a 'truth' to religion? This remarkable volume includes reflections on such questions by three of the most important philosophers of our time—Jacques Derrida, Gianni Vattimo, and Hans-Georg Gadamer. Together with other distinguished thinkers, they address a wide range of questions about the meaning, status, and future prospects of religion. In his meditation on the 'return of religion,' entitled 'Faith and Knowledge: The Two Sources of 'Religion' at the Limits of Mere Reason,' Derrida addresses the ways in which this return is intrinsically linked to transformations of which the new media are both the carriers and the symptom. Derrida coins this process one of globalatinization. This neologism signals, among other things, the process of a certain universalization of the Roman word or concept of religion, which tends to become hegemonic, as well as a certain performativity discernible in the new media and in contemporary structures of testimony and confession. Examples of this include, Derrida reminds us, not only the phenomenon of televangelism and televisual stagings of the pope's journeys, and not only the portrayal and self-presentation of Islam, but also the fetishization and becoming virtually absolute of the televisual and the multimedial as such. Using Being and Time as a point of reference, Vattimo suggests that religious experience is both an individual experience and a manifestation of a historical rhythm within which religion regularly appears and disappears. A commentary by Gadamer summarizes and enriches the contributions by Derrida and Vattimo. Four essays by Maurizio Ferraris, Eugenio Trias, Vincenzo Vitiello, and Aldo Giorgio Gargani complete the volume by examining other facets of the 'religious.'

Anbieter: Orell Fuessli CH
Stand: 09.08.2020
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Religion
26,99 € *
ggf. zzgl. Versand

What should we make of the return to the sacred evidenced by the new vitality of churches, sects, and religious beliefs in many parts of the world today? What are the boundaries between the essential traits of religion and those of ethics and justice? Is there a 'truth' to religion? This remarkable volume includes reflections on such questions by three of the most important philosophers of our time—Jacques Derrida, Gianni Vattimo, and Hans-Georg Gadamer. Together with other distinguished thinkers, they address a wide range of questions about the meaning, status, and future prospects of religion. In his meditation on the 'return of religion,' entitled 'Faith and Knowledge: The Two Sources of 'Religion' at the Limits of Mere Reason,' Derrida addresses the ways in which this return is intrinsically linked to transformations of which the new media are both the carriers and the symptom. Derrida coins this process one of globalatinization. This neologism signals, among other things, the process of a certain universalization of the Roman word or concept of religion, which tends to become hegemonic, as well as a certain performativity discernible in the new media and in contemporary structures of testimony and confession. Examples of this include, Derrida reminds us, not only the phenomenon of televangelism and televisual stagings of the pope's journeys, and not only the portrayal and self-presentation of Islam, but also the fetishization and becoming virtually absolute of the televisual and the multimedial as such. Using Being and Time as a point of reference, Vattimo suggests that religious experience is both an individual experience and a manifestation of a historical rhythm within which religion regularly appears and disappears. A commentary by Gadamer summarizes and enriches the contributions by Derrida and Vattimo. Four essays by Maurizio Ferraris, Eugenio Trias, Vincenzo Vitiello, and Aldo Giorgio Gargani complete the volume by examining other facets of the 'religious.'

Anbieter: Thalia AT
Stand: 09.08.2020
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Complete Piano Sonatas
6,99 € *
zzgl. 3,00 € Versand

The 'true amalgam of ecstasy and reason' which Glenn Gould found within Paul Hindemith's music is abundantly evident in the three piano sonatas which he wrote fairly quickly in 1936, following the artistic success but deep personal wound created by the first performances of his masterpiece, Mathis der Maler, which was banned by the Nazis as soon as it had been heard. Inevitably these sonatas are more compact and restrained in expression, but their novel forms still enclose furious marches and impassioned laments within the wrong-note counterpoint that was Hindemith's characteristic tone of voice. The first is the most substantial of the three sonatas, a five-movement work inspired by a Holderlin poem. The second is more agile and delicate in form, most clearly derived from Baroque models, somewhat ironic in tone and concluding with a witty Rondo. The third is perhaps the most lucid of the triptych, in which Beethoven's influence is writ large, from the throwaway subject of the first movement to the strenuous fugue of the finale, which is prefaced by an imposing slow movement with the tragic pulse of a funeral march. This is Maurizio Paciarello's debut recording for Brilliant Classics, but he has made previous recordings of repertoire from Kuhlau to Respighi. This Hindemith CD benefits from his wide study of historically informed performance values from Baroque and Classical times onwards, including teaching from Paul Badura-Skoda, and performances of Beethoven's music on original Broadwood instruments. Paul Hindemith's piano sonatas span his whole creative life, and may be seen as a cycle of creative and emotional development. Hindemith's musical language is based on the 19-th century classics, and is imbued with his highly personal use of elements from the Baroque, polytonality and jazz. Pianistically highly challenging and virtuoso, they are true masterworks, and deserve to be played more in concerts. Italian pianist Maurizio Paciariello, schooled by Aldo Ciccolini and Paul Badura-Skoda and Prize winner of the ARD Competition, is a champion of rare repertoire and specialist on period instruments. Booklet notes by the artist.

Anbieter: Thalia AT
Stand: 09.08.2020
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Complete Piano Sonatas
17,90 CHF *
zzgl. 3,50 CHF Versand

The 'true amalgam of ecstasy and reason' which Glenn Gould found within Paul Hindemith's music is abundantly evident in the three piano sonatas which he wrote fairly quickly in 1936, following the artistic success but deep personal wound created by the first performances of his masterpiece, Mathis der Maler, which was banned by the Nazis as soon as it had been heard. Inevitably these sonatas are more compact and restrained in expression, but their novel forms still enclose furious marches and impassioned laments within the wrong-note counterpoint that was Hindemith's characteristic tone of voice. The first is the most substantial of the three sonatas, a five-movement work inspired by a Holderlin poem. The second is more agile and delicate in form, most clearly derived from Baroque models, somewhat ironic in tone and concluding with a witty Rondo. The third is perhaps the most lucid of the triptych, in which Beethoven's influence is writ large, from the throwaway subject of the first movement to the strenuous fugue of the finale, which is prefaced by an imposing slow movement with the tragic pulse of a funeral march. This is Maurizio Paciarello's debut recording for Brilliant Classics, but he has made previous recordings of repertoire from Kuhlau to Respighi. This Hindemith CD benefits from his wide study of historically informed performance values from Baroque and Classical times onwards, including teaching from Paul Badura-Skoda, and performances of Beethoven's music on original Broadwood instruments. Paul Hindemith's piano sonatas span his whole creative life, and may be seen as a cycle of creative and emotional development. Hindemith's musical language is based on the 19-th century classics, and is imbued with his highly personal use of elements from the Baroque, polytonality and jazz. Pianistically highly challenging and virtuoso, they are true masterworks, and deserve to be played more in concerts. Italian pianist Maurizio Paciariello, schooled by Aldo Ciccolini and Paul Badura-Skoda and Prize winner of the ARD Competition, is a champion of rare repertoire and specialist on period instruments. Booklet notes by the artist.

Anbieter: Orell Fuessli CH
Stand: 09.08.2020
Zum Angebot